Deathcheaters

In today's article, we are going to explore in detail about Deathcheaters, a topic that has captured the attention of millions of people around the world. Deathcheaters is a topic that has generated a great debate in different areas and has aroused great interest in society. Throughout this article, we will analyze different aspects related to Deathcheaters, from its origins to its impact today. We will explore its different dimensions, its relevance today and the implications it has for different sectors. Additionally, we will examine the opinions of experts on the topic, as well as the experiences of people who have been directly affected by Deathcheaters. Without a doubt, this is a fascinating topic that deserves to be explored in depth. Join us on this fascinating journey of discovery about Deathcheaters!

Deathcheater
Australian film poster
Directed byBrian Trenchard-Smith
Screenplay byMichael Cove
Story byBrian Trenchard-Smith
Produced byBrian Trenchard-Smith
Starring
CinematographyJohn Seale
Edited byRon Williams
Music byPeter Martin
Production
companies
Distributed byRoadshow Film Distributors
Release date
  • 16 December 1976 (1976-12-16)
Running time
96 minutes
CountryAustralia
LanguageEnglish
BudgetA$157,000[1] [2]
Box officeA$30,000 (Australia)[1]

Deathcheaters is a 1976 Australian action adventure film directed by Brian Trenchard-Smith and starring John Hargreaves and Grant Page.[3]

Plot

Steve and Rodney are two ex-Vietnam commandos who do stunt work for television. They are hired by the government to raid the island stronghold of a Filipino racketeer and secure papers from his safe. The two men make the raid and escape using a hang-glider.

Cast

Production

The film was funded by the Australian Film Commission, Channel 9 and D.L. Taffner. It was intended to be a pilot for a TV series that could be shown theatrically in Australia and sold to television outside.[1]

It was shot in 16mm and blown up to 35mm for theatrical release. Trenchard Smith had worked with stuntman Grant Page several times and gave him his first lead role here. He also cast his wife, Margaret Gerard, as the female lead.[4]

Trenchard Smith says the movie went $7,000 over budget.[1]

Release

The film performed disappointingly in Australia theatrically.[5] It had a presale to Channel Nine for $50,000, overseas sales of $40,000 and local rentals of $30,000, so made $120,000. In 1979 Trenchard-Smith was still confident the film would be profitable.[1]

(In 1977 Antony I. Ginnane claimed the film netted $130,000 in overseas sales.[6])

Reception

On Rotten Tomatoes, Andrew L. Urban of Urban Cinefile positively commented "nobody in their right minds would do it again, not with real actors today not even with stuntmen. Unmissable!"

Accolades

Ron Williams was nominated for Best Editing at the 1977 Australian Film Institute Awards.

References

  1. ^ a b c d e Richard Brennan, 'Brian Trenchard-Smith', Cinema Papers, Dec-Jan 1979-80 p 601
  2. ^ Australian Film Commission. (1977), "MARKETING BRANCH", Annual report, Parliamentary paper (Australia. Parliament) (1976/1977, PP no. 63 of 1979), [Canberra: Australian Govt. Pub. Service, ISSN 0816-9624, nla.obj-2754195620, retrieved 27 March 2025 – via Trove
  3. ^ Vagg, Stephen (31 December 2019). "Top Ten Australian James Bond Homages". Filmink.
  4. ^ Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, p 307
  5. ^ David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p266
  6. ^ Antony I. Ginnane, "The Australians at Cannes", Cinema Papers July 1977 p33