In today's article we are going to talk about Day Keene. This is a topic that has been of interest to many people throughout history and that continues to generate debate today. From its origins to its implications in today's society, Day Keene has been the object of study and reflection by experts in different fields. Throughout this article, we will explore the different aspects related to Day Keene, from its impacts on everyday life to its influence on popular culture. Without a doubt, Day Keene is a fascinating topic that deserves our attention and reflection.
Gunard Hjertstedt | |
---|---|
Born | Chicago, Illinois | March 28, 1904
Died | January 9, 1969 Los Angeles, California | (aged 64)
Pen name | Day Keene |
Occupation | Novelist, Short Story Writer |
Nationality | American |
Genre | Crime fiction, Mystery fiction |
Notable works | Framed in Guilt (1949), Home Is the Sailor (1952) |
Gunard Hjertstedt (March 28, 1904 - January 9, 1969), better known by pen name Day Keene, was an American novelist, short story writer and radio and television scriptwriter. Keene wrote over 50 novels and was the head writer for radio soap operas Little Orphan Annie and Kitty Keene, Inc. Several of his novels were adapted into movies, including Joy House (MGM, 1964) and Chautauqua, released as The Trouble with Girls (MGM, 1969).[1]
genre | title | year | publisher | comment |
---|---|---|---|---|
MY | Framed in Guilt | 1949 | ||
MY | Evidence Most Blind | - | reissue of Framed in Guilt | |
MY | Farewell to Passion | 1951 | ||
MY | The Passion Murders | - | reissue of Farewell to Passion | |
MY | My Flesh Is Sweet | 1951 | ||
MY | Love Me and Die | 1951 | ||
MY | To Kiss or Kill | 1951 | ||
MY | Hunt the Killer | 1952 | ||
MY | About Doctor Ferrel | 1952 | ||
MY | Home Is the Sailor | 1952 | ||
MY | If the Coffin Fits | 1952 | ||
MY | Naked Fury | 1952 | ||
MY | Wake Up to Murder | 1952 | ||
MY | Mrs. Homicide | 1953 | ||
MY | Strange Witness | 1953 | ||
MY | The Big Kiss-Off | 1954 | ||
MY | There Was A Crooked Man | 1954 | ||
MY | Death House Doll | 1954 | ||
MY | His Father's Wife | 1954 | ||
MY | Homicidal Lady | 1954 | ||
MY | Joy House | 1954 | ||
MY | Notorious | 1954 | ||
MY | Sleep with the Devil | 1954 | ||
MY | Who Has Wilma Lathrop? | 1955 | ||
MY | The Dangling Carrot | 1955 | Ace Books | |
MY | Flight By Night | - | Ace Books | |
MY | Murder on the Side | 1956 | ||
MY | Bring Him Back Dead | 1956 | ||
MY | It's a Sin to Kill | 1958 | ||
MY | Passage to Samoa | 1958 | ||
MY | Dead Dolls Don't Talk | 1959 | ||
MY | Dead in Bed | 1959 | ||
MY | Moran's Woman | 1959 | ||
MY | So Dead My Lovely | 1959 | ||
MY | Take a Step to Murder | 1959 | ||
MY | Too Black for Heaven | 1959 | ||
MY | Too Hot to Hold | 1959 | ||
MY | The Brimstone Bed | 1960 | ||
MY | Chautauqua | 1960 | ||
MY | Payola | 1960 | ||
MY | World Without Women | 1960 | with Leonard Pruyn | |
MY | Seed of Doubt | 1961 | ||
MY | Bye, Baby Bunting | 1963 | ||
MY | LA 46 | 1964 | ||
MY | Carnival of Death | 1965 | ||
MY | Miami 59 | 1965 | ||
MY | Chicago 11 | 1966 | ||
MY | Acapulco Gpo | 1967 | ||
MY | Guns Along the Brazos | 1967 | ||
MY | Southern Daughter | 1967 | ||
MY | Live Again, Love Again | 1970 | ||
MY | Wild Girl | 1970 |