Nowadays, David Roas is a topic that has gained relevance in various areas of daily life. With the advancement of technology and globalization, David Roas has become a central point of discussion and interest for many. Both academically and personally, David Roas has sparked curiosity and debate about its implications and consequences. Whether in the social, political, economic or scientific context, David Roas has generated endless reflections and research that seek to unravel its complexities and consequences for today's society. In this article, we will explore some of the most relevant dimensions of David Roas and its impact on our environment.
David Roas (born 1965 in Barcelona, Spain) is a Spanish writer and literary critic, specialising in fantastic literature.[1] He is currently a professor of Literary Theory and Comparative Literature at the Autonomous University of Barcelona, where he heads up the Fantastic Literature Studies Group (Grupo de Estudios sobre lo Fantástico – GEF).[2][3]
He has published eight collections of short stories, the first in 1996 and the latest in April 2018, as well as several works of literary criticism, including an analysis of the influence of Edgar Allan Poe on the Spanish genre of fantastic literature and a biography of the writer Enrique Jardiel Poncela, co-authored with Fernando Valls .
Roas has been described by the writer and journalist, Rubén Sánchez Trigos as "probably leading specialist in fantastic literature".[4] His most recent collection of short stories was published by Editorial Páginas de Espuma, Madrid, in April 2018.[5] In the words of Jose Oliva, in this latest collection Roas establishes "a permanent dialogue in the form of homages to other authors, such as Cristina Fernández Cubas, Rod Serling (of The Twilight Zone fame), Mercedes Abad, Eduardo Berti, or parodying George A. Romero." In this regard he has commented, "I don't know how to write in a vacuum. I read fantastic literature."[6]
Fiction
Non-fiction
Anthologies (as editor)