In today's world, Cow-Cow Boogie is a topic that occupies a central place in conversations and debates in society. Whether in terms of social, economic, political or cultural impact, Cow-Cow Boogie has captured the attention of people of all ages and walks of life. The relevance and importance of Cow-Cow Boogie extends globally, and its influence is felt in different areas of daily life. In this article, we will explore the different facets and perspectives surrounding Cow-Cow Boogie, with the aim of deeply understanding its scope and its implications for the present and the future.
"Cow-Cow Boogie" | |
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Song | |
Language | English |
Published | 1942 |
Composer(s) | Don Raye |
Lyricist(s) | Benny Carter Gene De Paul |
"Cow Cow Boogie (Cuma-Ti-Yi-Yi-Ay)" is a "country-boogie"-style blues song, with music was written by Don Raye, and lyrics were written by Benny Carter and Gene De Paul.[1] The song was written for the 1942 Abbott & Costello film Ride 'Em Cowboy, which included Ella Fitzgerald as a cast member, but was cut from the movie.
The song utilizes the folklore of the singing cowboy in the American West. In the lyrics, the cowboy is from the city and tells his "dogies" (motherless calves)[2] to "get hip."
The first recording was by Freddie Slack & his Orchestra, featuring vocalist Ella Mae Morse in 1942. The record was the second release by Capitol Records and their first million-seller/ number one on the charts record. Morse learned the song from hearing Fitzgerald on a soundtrack she had acquired, even though the song had been cut from the movie. Morse also recalled recording the song in a single take, which she had thought was only a rehearsal.[3]