In the wide world of Compromise (film), there is a great diversity of approaches, opinions and perspectives. The complexity of this topic/individual/event has generated endless discussions and debates over time, becoming a central element in various areas of knowledge. From its impact on society to its influence on popular culture, Compromise (film) has captured the attention of scholars, experts, and fans alike. In this article, we will explore some of the most relevant and fascinating facets of Compromise (film), analyzing its importance and implications in different contexts.
Compromise | |
---|---|
![]() Advertisement | |
Directed by | Alan Crosland |
Written by | Edward T. Lowe, Jr. (scenario) |
Based on | Compromise by Jay Gelzer |
Starring | Irene Rich Clive Brook Louise Fazenda |
Cinematography | David Abel |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 7 reels (6,789 feet) |
Country | United States |
Language | Silent (English intertitles) |
Compromise is a 1925 American silent drama film directed by Alan Crosland and produced and distributed by Warner Bros.[1] The film was based on the 1923 novel of the same name by Jay Gelzer.[2]
As described in a review in a film magazine,[3] Joan (Rich), a woman of high ideals, from cliildhood has had to play second fiddle to her selfish, pampered half-sister. Joan expects marriage to bring happiness and it does for a time, but Nathalie (Garon), the sister, true to form, schemes to win Joan's husband Alan (Brook) and succeeds, and, not content with this, arranges a surprise meeting to gloat over her conquest. Symbolic of the conflict between husband, wife and sister, there is a terrific cyclone which brings to Joan a realization of the truth of the theme and she forgives Alan.
With no prints of Compromise located in any film archives,[4] it is a lost film.