Nowadays, Come Come Come Upward is a topic that has caught the attention of many people around the world. Whether due to its impact on society, its relevance in history, or its influence on popular culture, Come Come Come Upward is a topic that continues to generate interest and debate. In this article, we will explore in depth the different facets of Come Come Come Upward, from its origins to its current impact. We will analyze how Come Come Come Upward has evolved over time and how it has influenced different aspects of everyday life. From its historical roots to its relevance today, Come Come Come Upward continues to be an exciting topic that deserves our attention and reflection.
Come Come Come Upward | |
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![]() Poster to Come Come Come Upward (1989) | |
Korean name | |
Hangul | 아제 아제 바라 아제 |
Revised Romanization | Aje aje bara aje |
McCune–Reischauer | Aje aje para aje |
Directed by | Im Kwon-taek |
Written by | Han Sung-won |
Produced by | Lee Tae-won |
Starring | Kang Soo-yeon Jin Yeong-mi Yu In-chon Han Ji-il Jeon Moo-song Yoon In-Ja Yoon Yang-ha Kim Se-jun An Byung-kyung Choi Jong-won |
Cinematography | Ku Jung-mo |
Edited by | Park Sun-duk |
Music by | Kim Jeong-kil |
Release date |
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Running time | 134 minutes |
Country | South Korea |
Language | Korean |
Come Come Come Upward (Korean: 아제 아제 바라 아제; RR: Aje Aje Bara Aje) is a 1989 South Korean film directed by Im Kwon-taek.
The film examines the lives of two young women linked by their affiliation with a Buddhist temple.