Christoph Birkmann

In today's world, Christoph Birkmann has become a topic of great relevance and interest. Its implications range from personal to global aspects, affecting individuals, communities and societies as a whole. The impact of Christoph Birkmann can be seen in various areas, from technology to health, politics and culture. This phenomenon has sparked both enthusiasm and concern, generating debate around its repercussions and challenges. In this article, we will explore the multiple facets of Christoph Birkmann and analyze its influence in different contexts, providing a comprehensive and updated vision on this topic of great relevance today.

Christoph Birkmann (1759)

Christoph Birkmann (10 January 1703 – 11 March 1771) was a German theologian and minister. A pupil of Johann Sebastian Bach, he has been identified as the author of the texts of several Bach cantatas.

Career

Born in Nuremberg, Birkmann received some musical training. He spent a year at the University of Altdorf before studying theology and mathematics at the University of Leipzig from 1724 to 1727.

Birkmann was ordained in 1732 and became minister of St Egidien's Church in Nuremberg. He died there.[1]

Birkmann and Bach

In 1728 Birkmann published a yearbook of cantata texts in Nuremberg. Birkmann organised the material for the liturgical year of 1728/29, but it was drawn from texts used in the church music at Leipzig during his stay there. Some are known to have been set by Bach, who was working in Leipzig from 1723. The fact that other librettists, such as Picander, are featured obscured Birkmann's creative contribution to the collection.[2] However, according to research by Christine Blanken, published in the Bach-Jahrbuch in 2015, Birkmann was in all probability one of Bach's librettists, his texts including the well-known solo cantata Ich habe genug, BWV 82 (1727).[3][1] The International Music Score Library Project has recognised Birkmann as the librettist for eight Bach cantatas in total. There is also evidence that Birkmann took part either as a singer or instrumentalist in performances directed by Bach.

Literature

  • Christine Blanken (2015), "Christoph Birkmanns Kantatenzyklus "GOtt-geheiligte Sabbaths-Zehnden" von 1728 und die Leipziger Kirchenmusik unter J. S. Bach in den Jahren 1724 - 1727", Bach-Jahrbuch (in German), vol. 101, pp. 13–74, ISBN 978-3-374-04320-0

References

  1. ^ a b Voskamp, Jens (23 February 2018). "Franke schmiedete Arien-Verse für Bach". nordbayern.de (in German). Retrieved 15 March 2018.
  2. ^ A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach’s so-called 'Third Annual Cantata Cycle' by Christine Blanken, published in Understanding Bach, 10, 9–30 © Bach Network UK 2015
  3. ^ "Bachs Kantatendichter identifiziert" (in German). Bachfest Leipzig. Retrieved 30 December 2016.