Choralschola

In this article, we will delve into the fascinating world of Choralschola, exploring its different facets, characteristics and possible implications in various areas. From its origin to its relevance today, we will delve into a detailed analysis that will allow us to understand its importance and influence on society. Through studies, interviews and concrete examples, we will seek to shed light on Choralschola and its impact on the contemporary world, offering the reader a complete and enriching vision of this exciting topic.

Choralschola

A Choralschola, known simply as schola, is a choir for singing Gregorian chant or plainsong. It consists traditionally of only men, but more recent groups sometimes also include female voices. A schola often performs in uniform. The group may perform in the liturgy of church services, but some specialized ensembles also perform concerts and recordings, such as the Choralschola der Wiener Hofburgkapelle and the Schola Gregoriana Pragensis.

Chant singing is usually responsorial, responses being sung by cantor. the congregation or by groups within the schola. Parts of the liturgy sung by the schola include the ordinary, and the changing parts Introit, Psalms, Sequence, Tract, calls to the gospel and the offertory, and Gradual.

Traditionally the schola performs without accompaniment. After the Second Vatican Council, the frequency of Latin liturgy was reduced and is less known. Therefore organ accompaniment has been used to support the singing.

A Choralschola is one of singing groups in the oratorio Laudato si', composed in 2016 by Peter Reulein on a libretto by Helmut Schlegel and aimed at showing the diversity of church music, the others being soloists, a children's choir and a mixed choir.[1]

References

  1. ^ Reulein, Peter; Schlegel, Helmut (2016). Laudato si' / Ein franziskanisches Magnificat. Limburg an der Lahn: Dehm Verlag. p. 230. ISBN 978-3-943302-34-9. ISMN 979-0-50226-047-7.