Charles Dollé

In today's world, Charles Dollé is a topic that arouses great interest and debate in various areas. Whether in the academic field, in the world of work or in society in general, Charles Dollé has become a topic of relevance and topicality. Opinions on this matter are varied, and that is why it is important to analyze and reflect on Charles Dollé from different perspectives. In this article, we will explore the different facets of Charles Dollé, its impact today, and possible future scenarios. Likewise, we will delve into the reflections and debates that it has generated, in order to offer a comprehensive and enriching vision on this topic.

Charles Dollé (fl. 1735 – 1755) was a French viol player and composer. Very little is known about his life. He was active in Paris and was a sought-after teacher of viol. His music, all of which involves the viol in some way, was influenced by Marin Marais (whose death the composer commemorated in a tombeau) and Italian style, which is most prominent in Dollé's late works (although they retain the characteristically French ornamentation).

Dollé's music survives in five printed collections (all published in Paris):

  • Sonates en trio pour les violons, flûtes-traversières et violes avec la basse continue, op. 1 (1737)
  • Pièces de viole (for bass viol and basso continuo), op. 2 (1737)
  • Pièces pour le pardessus de viole (for 1/2 pardessus de viole and basso continuo), op. 3 (1737)
  • Sonates, duos & pièces (for 1/2 pardessus de viole/violin/violone/flute and basso continuo, op. 4 (1737)
  • Sonates à deux pardessus de viole sans basse, op. 6 (1754)

Another print, Livres troisième, pour le pardessus de viole, tant à cinq qu'à six cordes (op. 5, c. 1749–1750), is lost. The extant music includes character pieces (twenty-five in op. 3, five in op. 4).

References

  • Cyr, Mary (2001). "Charles Dollé". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.