Nowadays, Change Partners (film) has become an increasingly relevant topic of debate in our society. Since its emergence, Change Partners (film) has captured the attention of experts and the general public, generating mixed opinions and passionate discussions. Over time, Change Partners (film) has proven its importance in different areas, from politics to technology, culture and education. In this article, we will explore the most relevant aspects of Change Partners (film) and its impact on daily life, as well as the possible implications it could have in the future.
Change Partners | |
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Directed by | Robert Lynn |
Written by | Donal Giltinan |
Produced by | Jack Greenwood |
Starring | Anthony Dawson Zena Walker Kenneth Cope |
Cinematography | James Wilson |
Edited by | Derek Holding |
Music by | Bernard Ebbinghouse |
Production company | |
Distributed by | Anglo-Amalgamated Film Distributors |
Release date |
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Running time | 63 minutes |
Country | United Kingdom |
Language | English |
Change Partners is a 1965 British crime drama directed by Robert Lynn and starring Anthony Dawson, Zena Walker and Kenneth Cope.[1] It was written by Donal Giltinan and made at Merton Park Studios originally as a Warner-Pathé release, prior to being included as a part of the long-running series of Edgar Wallace Mysteries.[2]
Ben Arkwright and (Cedric) Ricky Gallen are partners in the firm of Arkwright and Gallen; however, Ricky is having an affair with Ben's wife, Anna. Anna talks Ricky into killing her alcoholic husband, but things do not go according to plan.
The Monthly Film Bulletin wrote: "Zena Walker is no Bette Davis, but then director Robert Lynn is no William Wyler. None the less, she puts up an intelligent display of growing malevolence in this absurdly compelling, up-dated Warners-type melodrama, and is virtually the film's only raison d'étre. Actors like Basil Henson and Anthony Dawson haven't the resource to subdue the stilted, stereotyped dialogue, and the direction only rises above the mediocre in two chillingly staged murders, and one or two nicely composed shots of Zena Walker machinating."[3]