In this article, we are going to delve into the topic of Carltheater, which has aroused great interest and debate in today's society. Carltheater has become a recurring topic of discussion due to its impact in various areas, such as politics, economics, culture and daily life. Throughout this article, we will examine in detail the different facets of Carltheater, analyzing its origins, evolution and repercussions in today's world. In addition, we will delve into the various perspectives and opinions that exist around this topic, in order to offer a complete and enriching vision for our readers.
Theatre in Vienna, Austria
The Carltheater in 1850
The Carltheater was a theatre in Vienna. It was in the suburbs in Leopoldstadt at Praterstraße 31 (at that time called Jägerzeile).
The theatre was opened under the name Carltheater in the same year, 1847. Many Alt-Wiener Volkstheater [de] pieces by Johann Nepomuk Nestroy premiered here; between 1854 and 1860, Nestroy was the director of the theatre. In subsequent years, many well-known Viennese playwrights wrote pieces for the Carltheater and reinforced its reputation as the favoured opera house for Viennese folk-pieces and operettas.
After a rapid changeover of directors in the 20th century, the theatre became unprofitable, and was finally closed in 1929.
In 1944, the auditorium of the theatre was almost entirely destroyed in a bomb attack. The artistically valuable facade was, however, still remarkably intact after the war. In 1951 it was demolished, with neighbouring building which had not been damaged in the war. Nowadays, the site is host to the "Galaxy"-building. A few years ago there was a plaque in Praterstraße, marking the former location of the theatre, but this is gone too now.
Works which premiered at the Carltheater
Die schlimmen Buben in der Schule, burlesque in one act, by Johann Nestroy, on December 10, 1847.
Freiheit in Krähwinkel, "farce with song" by Johann Nestroy, on July 1, 1848.
Judith und Holofernes, "travesty with song" by Johann Nestroy, on March 13, 1849.
Tannhäuser, opera pastiche by Johann Nestroy, 1857
Das Corps der Reche, operetta by Franz von Suppé, on March 5, 1864
Dinorah, oder die Turnerfahrt nach Hütteldorf, opera parody by Franz von Suppé, on May 4, 1865
Die erste Frau, operetta by Heinrich Reinhardt, on October 22, 1915
Prinzessin Ti-Ti-Pa, operetta by Robert Stolz, 1928
Puccini's opera La rondine was also commissioned by the Carltheater (although its premiere in Vienna was eventually cancelled after the outbreak of the Italo-Austrian war).
Literature
Franz Hadamowsky: Das Theater in der Leopoldstadt von 1781 bis 1860, (The Theatre in the Leopoldstadt between 1781 and 1860), Höfel, Vienna 1934
Nora Kirchschlager: Das Carltheater von 1860 bis 1872 (The Carltheater between 1860 and 1872), volume 1: Die Direktionen Brauer, Lehmann, Treumann und Ascher (The directorships of Brauer, Lehmann, Treumann and Ascher); volume 2: Spielplan (Performance schedule), Ungedr. Dipl.-Arb. Vienna, 2002
Dieter Klein, Martin Kupf, Robert Schediwy: Stadtbildverluste Wien — Ein Rückblick auf fünf Jahrzehnte (Image loss of the city of Vienna: a retrospection through five centuries). LIT, Vienna 2005, ISBN978-3-8258-7754-5
Birgit Peter: Nestroytheater: Das Singspiel Johann Nestroy am Wiener Carltheater. In: Julia Danielczyk (Hrsg.): Nestroy — weder Lorbeerbaum noch Bettelstab. Österr. Theatermuseum, Wien 2000, ISBN3-9501379-0-4, pp. 69–80
Leopold Rosner: 50 Jahre Carl-Theater (50 years of the Carltheater), Schworella & Heick, Vienna 1897