In this article, we will explore the fascinating world of Carl Justi, a topic that has captured the attention of millions of people around the world. From its origins to its influence on today's society, Carl Justi has been the subject of in-depth studies and analysis. Throughout history, Carl Justi has played a crucial role in various fields, from culture to politics, science and technology. Through this article, we will try to shed light on the mysteries and complexities surrounding Carl Justi, offering a comprehensive overview that allows our readers to better understand its importance and impact on the modern world.
Carl Justi (2 August 1832, in Marburg – 9 December 1912, in Bonn) was a German art historian,[1] who practised a biographical approach to art history. Professor of art history at the University of Bonn, he wrote three major critical biographies: of Johann Joachim Winckelmann, of Diego Velázquez and of Michelangelo.
Born in Marburg, Justi studied theology at the University of Berlin before transferring to philosophy. He graduated in 1859 with a thesis 'Über die ästhetischen Elemente in der platonischen Philosophie'.[2]
Justi established his reputation with a three-volume work on Johann Joachim Winckelmann. [3] He succeeded Anton Springer in the chair of art history at the University of Bonn,[4] holding the post from 1872 until 1901.