Callinus

This article will address the topic of Callinus, which has become relevant in different areas and contexts. Since its emergence, Callinus has aroused the interest and curiosity of a wide spectrum of the public, due to its impact and background. Over the years, Callinus has generated debates, research and multiple perspectives that have contributed to enriching knowledge on this topic. Therefore, it is essential to thoroughly explore the different aspects related to Callinus, as well as its implications and repercussions on current society. Through a detailed and critical analysis, the aim is to provide a complete and updated vision of Callinus, with the aim of promoting informed and constructive reflection about this phenomenon.

Callinus (Ancient Greek: Καλλῖνος, Kallinos; fl. mid-7th c. BC)[1] was an ancient Greek elegiac poet who lived in the city of Ephesus in Asia Minor in the mid-7th century BC. His poetry is representative of the genre of martial exhortation elegy in which Tyrtaeus also specialized and which both Archilochus and Mimnermus appear to have composed.[2] Along with these poets, all his near contemporaries, Callinus was considered the inventor of the elegiac couplet by some ancient critics.[3]

He resided in Ephesus in Asia Minor.[4] He is supposed to have flourished between the invasion of Asia Minor by the Cimmerians and their expulsion by Alyattes (630–560 BC). During his lifetime his own countrymen were also engaged in a life-and-death struggle with the Magnesians. These two events give the key to his poetry, in which he endeavours to rouse the indolent Ionians to a sense of patriotism.[5]

Only a few fragments of the Callinus' poetry have survived. One of the longest fragments, consisting of 21 lines of verse, is a patriotic exhortation to his fellow Ephesians urging them to fight the invading Cimmerians, who were menacing the Greek colonies in Asia Minor:

It is honorable and splendid for a man to fight
   for his country and children and wedded wife
against enemies, but death will come whenever
   the Moirai so spin.

τιμῆέν τε γάρ ἐστι καὶ ἀγλαὸν ἀνδρὶ μάχεσθαι
   γῆς πέρι καὶ παίδων κουριδίης τ' ἀλόχου
δυσμενέσιν· θάνατος δὲ τότ' ἔσσεται, ὁππότε κεν δὴ
   Μοῖραι ἐπικλώσωσ᾽.
[6]

Works of martial elegy such as this often allude to the language and the thematic content of Homer's Iliad.[7] It is likely that Callinus performed his poetry at symposia.[8]

Notes

  1. ^ West, Martin L. (2015), "Callinus, Greek elegiac poet, mid-7th cent. BCE", Oxford Research Encyclopedia of Classics, Oxford University Press, doi:10.1093/acrefore/9780199381135.013.1280, ISBN 978-0-19-938113-5
  2. ^ West (1974, p. 10).
  3. ^ Barron, Easterling & Knox (1985, p. 129 with n. 1). Cf. Clement of Alexandria, Stromata 1.21.131, "Semonides is assigned to the era of Archilochus; Callinus is not much older" (Σιμωνίδης μὲν οὖν κατὰ Ἀρχίλοχον φέρεται, Καλλῖνος δὲ πρεσβύτερος οὐ μακρῷ, cf. Orion, Etymologia s.v. ἔλεγος), and Terentianus 1721–2,"People are unsure who was the first author to fashion the pentameter: some do not hesitate to say it was Callinus" (Pentametrum dubitant quis primus finxerit auctor: quidam non dubitant dicere Callinoum).
  4. ^ Herodian, De orthographia s.v. Καλλῖνος, Photius, Bibliotheca cod. 239, p. 319b12.
  5. ^ One or more of the preceding sentences incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Callinus". Encyclopædia Britannica. Vol. 5 (11th ed.). Cambridge University Press. p. 57.
  6. ^ Callinus fr. 1.6–9.
  7. ^ Irwin (2005, p. 17).
  8. ^ West (1974, p. 11), Bowie (1986, pp. 15–16).

Select bibliography