In today's world, Cagliostro in Wien occupies a central place in our lives. Whether through its impact on society, fashion, science or culture, Cagliostro in Wien arouses constant interest and generates a variety of opinions and debates. From its origins to its influence on the present, the presence of Cagliostro in Wien is undeniable and inevitable. In this article, we will closely explore the importance of Cagliostro in Wien and its role in different aspects of everyday life, as well as its evolution over time.
Cagliostro in Wien (Cagliostro in Vienna) is an operetta in three acts by Johann Strauss II to a libretto by F. Zell and Richard Genée. It premiered on 27 February 1875 at the Theater an der Wien, featuring Marie Geistinger and Alexander Girardi.
The premiere was highly successful, in no small part due to the audience favourite Alexander Girardi[1] (1850–1918) as Blasoni. Another notable performer at the premiere was Marie Geistinger (1836–1903) who had created the role of Rosalinde in Strauss's Die Fledermaus. However, weaknesses in the libretto and—by Strauss's standards—the pallid music, meant the work could not garner the level of long-term public support of the composer's other works. These shortcomings were corrected in a version with a revised libretto by Gustav Quedenfeldt and music by Karl Tutein (who included themes from the Kaiser-Walzer) which premiered on 8 May 1941 in Danzig (Gdańsk).
Role | Voice type | Premiere cast, 27 February 1875[2] (Conductor: Johann Strauss II) |
---|---|---|
Empress Maria Theresa | soprano | Henriette Wieser |
Marie Luise, Infanta of Spain | ||
Baron Sebastian Schnucki, imperial custodian of morals | baritone | Alfred Schreiber |
Count Cagliostro | baritone | Carl Adolf Friese |
Lorenza, Italian street singer | soprano | Marie Geistinger |
Feri von Lieven, Lieutenant | ||
Frau Adami | ||
Annemarie, her niece | ||
Teiglein, pastry cook, Annemarie's guardian | ||
Blasoni, Count Cagliostro's aide | tenor | Alexander Girardi |
Severin, owner of a funfair stall | ||
Innkeeper of The Turk Sconce | ||
The Hofmarschall | ||
Beppo and Barberino, Count Cagliostro's aides | ||
Ladies and gentlemen of the court, people, soldiers, police |
Johann Strauss used material from his operetta for the following works:
Erich Wolfgang Korngold wrote an arrangement of the work, first performed on 13 April 1927 in Vienna.