Béla Lajta

Today we will take a look at Béla Lajta, a topic that has captured the attention of millions of people around the world. Since its emergence, Béla Lajta has had a significant impact on different aspects of society, provoking debates, controversies and significant changes. Over the years, Béla Lajta has evolved and adapted to changing circumstances, maintaining its relevance in different spheres of life. In this article, we will explore the history, impact and future of Béla Lajta, looking at how it has shaped and will continue to shape the world we live in.

Lajta Béla a dolgozóasztalánál cropped (Vasárnapi Ujság, 1911).jpg

Béla Lajta (until 1907 Béla Leitersdorfer) (Óbuda, 23 January 1873 – Vienna, 12 October 1920) was a prominent Hungarian architect.

Career

Új színház, Budapest

Lajta finished his degree at the Budapest Technical University and worked briefly under Alajos Hauszmann before spending one and a half years in Italy, mainly Rome. During that time, he also worked in painting and sculpture. After this he worked in Berlin and London. He returned home in 1899 to take part in a competition to design a synagogue which he won first prize in. His first work in 1900 was the Bard music shop on Kossuth Lajos street, finished in 1900. Ödön Lechner was a notable influence on him at this time. They worked together on a number of projects, namely the Kozma Street Cemetery's Schmidl crypt. He designed a number of buildings in the Hungarian offshoot style of Art Nouveau, called szecesszió in Hungarian, the most notable being Rózsavölgyi house in Budapest on Szervita square.

In 1909 he designed, in an Art Deco style the Parisiana, Paulay Ede utca, Budapest, now New Theatre (Új színház).

After a serious illness he died at a comparatively young age.