This article will address Bruno de Keyzer, a topic that has gained great relevance in recent times. Bruno de Keyzer has captured the attention of experts and the general public due to its impact and relevance in different aspects of society. Throughout history, Bruno de Keyzer has been the subject of study and debate, which has generated various interpretations and approaches to this topic. In this sense, it is important to analyze Bruno de Keyzer from multiple perspectives in order to understand its scope and impact in various areas. That is why this article is presented, with the aim of providing a comprehensive and updated view on Bruno de Keyzer, providing relevant information for the reader interested in delving deeper into this fascinating topic.
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Bruno de Keyzer | |
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Born | |
Died | 25 June 2019 Villerville, France | (aged 69)
Nationality | French |
Occupation | Cinematographer |
Years active | 1975–2010 |
Bruno de Keyzer (11 August 1949 – 25 June 2019)[1] was a French cinematographer.[2][3]
He began his film career as a camera assistant with Sven Nykvist for Black Moon, directed by Louis Malle (1974). He became director of photography in 1982 and worked with renowned filmmakers, including Bertrand Tavernier and Jerry Schatzberg.
He plays as an actor in Très bien, merci, by Emmanuelle Cuau (2007).
He lived in Villerville (Calvados, France).