In today's world, Brandon LaBelle plays a vital role in various areas of life. Its importance is reflected in society, the economy, politics, culture and people's daily lives. Brandon LaBelle has been the object of study and interest in different times and contexts, which demonstrates its relevance over time. In this article, we will explore the impact and influence of Brandon LaBelle on different aspects of society, as well as its evolution throughout history. Additionally, we will analyze how Brandon LaBelle continues to be a topic of debate and reflection today, and how its meaning has changed over time.
American Sound Artist and Theorist
Brandon LaBelle
Born
Brandon James LaBelle
(1969-10-23) October 23, 1969 (age 55)
Los Angeles, California, USA
Education
California Institute of the Arts (BFA, MFA)
Brandon LaBelle (born October 23, 1969) is an American artist and sound theorist whose work has influenced the field of sound studies.[1][2][3] LaBelle has served as Professor in New Media Art in the Faculty of Fine Art, Music and Design at the University of Bergen since 2011.[4][5][6] LaBelle is best known for his books Background Noise: Perspectives on Sound Art and Acoustic Territories: Sound Culture and Everyday Life which are important texts in the sound studies canon.[7][8]David Byrne, founding member and lead singer of American rock band Talking Heads, listed Acoustic Territories as one of his favorite books about music, including it in a collection of books Byrne curated for London's 2019 Meltdown Festival.[9]
LaBelle's first exhibitions date from 1995, the year when he also published his first noteworthy papers and gave his first performances as a sound artist.[13][11][14][10] In 2006, LaBelle published Background Noise: Perspectives on Sound Art. In 2010, he published Acoustic Territories: Sound Culture and Everyday Life.
Selected publications
Background Noise: Perspectives on Sound Art (2006)
Acoustic Territories: Sound Culture and Everyday Life (2010)
Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary (2014)
Sonic Agency: Sound and Emergent Forms of Resistance (2018)
Acoustic Justice: Listening, Performativity, and the Work of Reorientation (2021)