In this article we are going to address the topic of Born to Be with You (album), a topic that has captured the attention of many in recent times. Born to Be with You (album) is a topic that has generated debate and controversy in various circles, and it is important to explore in detail the different points of view on the matter. From its origins to its impact on today's society, Born to Be with You (album) is a topic that deserves to be examined carefully and objectively. Throughout this article, we will explore the different facets of Born to Be with You (album) and analyze its implications in various areas. Without a doubt, this is a topic that leaves no one indifferent and that arouses great interest in the community, which is why it is important to address it completely and exhaustively.
Born to Be with You | ||||
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Studio album by | ||||
Released | October 1975 | |||
Recorded | 1970 ("Your Own Back Yard"); 1974 ("New York City Song" and the main album sessions) | |||
Length | 35:10 | |||
Label | Phil Spector Records | |||
Producer |
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Dion chronology | ||||
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Born to Be with You is the fourteenth solo studio album by Dion, released in October 1975. Six of the eight tracks were produced by Phil Spector,[2] who had expressed admiration of Dion's earlier work with his doo-wop group, Dion and the Belmonts.
Upon completion in 1974, Spector shelved the release for twelve months, only to find the album was met with indifference by the music establishment. However, in the 1990s, the album began to receive widespread critical acclaim. Artists such as Bobby Gillespie of Primal Scream cited it as a key influence.[3]
The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.
The recording sessions were lengthy and chaotic, often hampered by Spector's drinking and unpredictable temperament.[4] Bruce Springsteen and Miami Steve visited the studio during the recording sessions.[5] On its completion in 1974, Dion effectively disowned the record, stating that the production made it sound like "funeral music".[4]
All tracks produced by Phil Spector, except where noted.
No. | Title | Writer(s) | Producer | Length |
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1. | "Born to Be with You" | Don Robertson | 6:51 | |
2. | "Make the Woman Love Me" | Barry Mann, Cynthia Weil | 4:33 | |
3. | "Your Own Back Yard" | Dion DiMucci, Tony Fasce | Phil Gernhard[2] | 3:50 |
4. | "(He's Got) The Whole World in His Hands" | Traditional; arranged by Spector and DiMucci | 3:21 |
No. | Title | Writer(s) | Producer | Length |
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1. | "Only You Know" | Gerry Goffin, Spector | 4:45 | |
2. | "New York City Song" | DiMucci, William Tuohy | Terry Cashman and Tommy West[2] | 3:45 |
3. | "In and Out of the Shadows" | Goffin, Spector | 4:18 | |
4. | "Good Lovin' Man" | Spector, DiMucci, A.J. Bernstein | 3:47 |
The 2001 Ace Records CD reissue, which pairs Born to Be with You with his 1976 album Streetheart,[6] contains an additional Phil Spector-produced bonus track, "Baby, Let's Stick Together" (3:12, written by Spector and Jeff Barry), which had originally seen release in the UK only as a non-album single in 1976.
Phil Spector: Out of His Head. R Williams. 2003. Omnibus Press.