Bohumil Gregor

In today's world, Bohumil Gregor is a topic that has captured the attention of millions of people around the world. Since its emergence, Bohumil Gregor has generated debates, discussions, and has had a significant impact on various areas of society. Its relevance has transcended borders and has sparked growing interest in different sectors, from the academic and scientific field to the world of entertainment and popular culture. In this article, we will thoroughly explore the impact of Bohumil Gregor and analyze its effects on people's daily lives. Likewise, we will examine its influence on different aspects of society and reflect on its evolution over time.

Bohumil Gregor (Prague, 14 July 1926 – 4 November 2005) was a Czech conductor.

Gregor studied double bass at the Prague Conservatory. He made his conducting debut on October 26, 1947, at the Divadlo 5. května (Theatre of the Fifth of May, now the Prague State Opera).[1] He conducted at the State Theatre in Brno (1949–1951), the National Theatre in Prague (1955–1958 and 1962–1966), the State Theatre in Ostrava (1958–1962), the Royal Swedish Opera in Stockholm (1966–1969), the State Opera in Hamburg (1969–1972), De Nederlandse Opera in Amsterdam (from 1972), and also in San Francisco, Philadelphia and Washington. In 1999, he returned to the Prague State Opera where he worked as musical director until 2002.[2]

Gregor died in the city of his birth, where he had conducted his last performances of The Cunning Little Vixen.

Selected discography

References

  1. ^ Prague State Opera Retrieved 28 March 2012.
  2. ^ Český hudební slovník osob a institucí (Czech Music Dictionary of People and Institutions) (in Czech) Retrieved 28 March 2012.