The topic of Bob Hicok is one that has captured the attention of many people as of late. With its relevance in the current environment, it is not surprising that it has become the subject of numerous debates and analysis. The importance of Bob Hicok extends to various areas, from politics to popular culture, influencing our perceptions and decisions. In this article, we will explore in detail the different aspects related to Bob Hicok, examining its impact and relevance in modern society. Through a comprehensive and critical approach, we aim to shed light on this topic and provide a deeper understanding of its meaning and implication in our daily lives.
Bob Hicok | |
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Born | 1960 (age 64–65) Grand Ledge, Michigan, U.S. |
Occupation | Poet |
Education | Vermont College of Fine Arts (MFA) |
Notable awards | Bobbitt National Prize for Poetry (2008) |
Bob Hicok (born 1960 Grand Ledge, Michigan) is an American poet.[1]
Hicok is a professor of creative writing at Virginia Tech, where he has taught since 2003 with the exception of the 2015-2016 academic year when he taught at Purdue as a full-time Associate Professor.[2][3][4] He subsequently returned to Virginia Tech where he was promoted to full professor. He is from Michigan and before teaching owned and ran a successful automotive die design business.[5] He formerly taught at Western Michigan University.[6]
His first book, The Legend of Light, was published by the University of Wisconsin Press and chosen as an American Library Association Booklist Notable Book of the Year. Plus Shipping followed in 1998. His 2001 Animal Soul was a finalist for the National Book Critics Circle Award.[7] He has since published five more books, Insomnia Diary (2004) This Clumsy Living (2007) Words for Empty and Words for Full (2010) with University of Pittsburgh Press, Elegy Owed (2013)[8] and Sex & Love & (2016)[9] with Copper Canyon Press. His most recent book, Hold, was published in 2018 by Copper Canyon Press.[10] In 2004, after publishing four collections of poetry, Hicok (who previously had no undergraduate or graduate degree) earned an MFA from Vermont College of Fine Arts.[11]
His poems have appeared in The Southern Review, The New Yorker, Poetry Magazine, The Paris Review and The American Poetry Review, as well as in eight volumes of The Best American Poetry and six times in the Pushcart Prize anthology.
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Title | Year | First published | Reprinted/collected |
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Blue prints | 2013 | Hicok, Bob (Mar–Apr 2013). "Blue prints". The Believer. 11 (3): 49. | Elegy owed |
Origin story | 2017 | Hicok, Bob (August 21, 2017). "Origin story". The New Yorker. 93 (24): 46–47. | |
Man of the house | ? | ? | Walsh, William, ed. (2006). Under the rock umbrella : contemporary American poets, 1951-1977. Macon, Georgia: Mercer University Press. p. 163. |
The new math | ? | ? | Walsh, William, ed. (2006). Under the rock umbrella : contemporary American poets, 1951-1977. Macon, Georgia: Mercer University Press. pp. 163–164. |
Peoria | ? | ? | Walsh, William, ed. (2006). Under the rock umbrella : contemporary American poets, 1951-1977. Macon, Georgia: Mercer University Press. pp. 165–165. |
Remedy | 2021 | Hicok, Bob (September 20, 2021). "Remedy". The New Yorker. 97 (29): 38. | |
ROTC | ? | ? | Walsh, William, ed. (2006). Under the rock umbrella : contemporary American poets, 1951-1977. Macon, Georgia: Mercer University Press. pp. 165–166. |