Blue Bird Inn
Nowadays, Blue Bird Inn has become a topic of great relevance and interest to a wide variety of people around the world. Whether due to its impact on society, its influence on popular culture or its importance in the scientific field, Blue Bird Inn has captured the attention of millions of individuals. From its origins to its current evolution, Blue Bird Inn has been the subject of study and debate in different areas, generating all kinds of opinions and analysis. In this article, we will explore in depth the various facets of Blue Bird Inn and its relevance in the current context, with the aim of understanding its impact and meaning in modern society.
The Blue Bird Inn, at 5021 Tireman, was a jazz night club in Detroit presenting music every night except Monday. An African American owned venue, by the end of the 1940s it was the most important live outlet for bop in the city.[1]
Thad Jones' composition "5021" refers to the Blue Bird's address and Tommy Flanagan placed tribute to the venue in the title track to an album with Kenny Burrell titled Beyond the Blue Bird (1990).[2]
The venue had featured live music since the 1930s, but in 1948 Phil Hill was hired to assemble a house band that could play bebop. Hill's first trio there comprised Abe Woodly on vibraphone and Art Mardigian on drums, with Hill on piano.
The following year, Hill and Mardigan were joined by Wardell Gray, James "Beans" Richardson on bass and Jack Tiant on bongos, and, as the Phil Hill Quintet, recorded a live album on July 20, 1949.[3] The following April, the Wardell Gray Quartet, with Hill, Richardson and Mardigan recorded for Prestige.[3]
In the latter half of 1949, the trio was headlined by Tate Houston, and later by Frank Foster.[4]
In the early 1950s, the Billy Mitchell Quintet, featuring Elvin Jones, replaced Hill's trio as the house band. In 1953, Miles Davis joined the band, and would return many times with his own groups.[5]
Other performers included Pepper Adams, Sonny Stitt, Ahmad Jamal, Donald Byrd,[6] Frank Gant,[6] and Curtis Fuller.[6]
In 2018, Detroit Sound Conservancy, local music preservation and advocacy nonprofit, purchased the building.
In 2020, the club was designated a local Historic District by the City of Detroit.[7]
The National Park Service conducted a study of the site and United Sound Systems in 2019 but found they were not suitable to be an affiliated area of the national park system.[8]
House bands
- Led by[4]
- 1948: Phil Hill
- 1951: Billy Mitchell, featuring various musicians, including Oliver Jackson (drums) and his brother, Ali Jackson (bass), as well as Thad Jones,[9] but later becoming a quartet with Terry Pollard, Beans Richardson and Elvin Jones
- 1954: Beans Anderson
- 1955: Alvin Jackson
- 1958: Ernie Farrow and/or Yusef Lateef[6]
References
- ^ Barry Kernfeld (ed.) The New Grove Dictionary of Jazz, New York & London: Macmillan, 1988 , p.874
- ^ Bjorn, Lars and Jim Gallert (1994) "Bebop in Detroit Nights at the Blue Bird Inn" Archived 2015-10-24 at the Wayback Machine Retrieved 8 July 2013.
- ^ a b "Wardell Gray - A Discography 1944-1955" Retrieved 8 July 2013.
- ^ a b Björn, Lars Olof (2001) Before Motown: A History of Jazz in Detroit, 1920-60, pp. 124-6. University of Michigan Press At Google Books. Retrieved 9 July 2013.
- ^ Bird, Christiane (2001) The Da Capo Jazz and Blues Lover's Guide to the U.S., pp. 305-6. Da Capo Press At Google Books. Retrieved 8 July 2013.
- ^ a b c d Berkman, Franya J. (2010) Monument Eternal: The Music of Alice Coltrane, p. 34. Wesleyan University Press At Google Books. Retrieved 9 July 2013.
- ^ "Final Report Blue Bird Inn Historic District" (PDF).
- ^ "ParkPlanning - Detroit Sound Conservancy Reconnaissance Survey". parkplanning.nps.gov. Retrieved 2022-12-26.
- ^ Gitler, Ira (1985) Swing to Bop : An Oral History of the Transition in Jazz in the 1940s: An Oral History of the Transition in Jazz in the 1940s, p. 262. Oxford University Press At Google Books. Retrieved 9 July 2013.