In this article, we will explore the topic of Black Turin from a multidimensional perspective, analyzing its implications in different contexts and its relevance today. We will delve into its origins, evolution and its impact on society, as well as the challenges and opportunities it presents. Through a detailed analysis, we will seek to unravel the different facets of Black Turin and its influence in various areas, in order to provide a comprehensive vision that allows us to understand its complexity and scope. From its historical aspects to its future projections, this article aims to offer a comprehensive and enriching vision of Black Turin, inviting the reader to reflect and question their own perception of this topic.
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Black Turin | |
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Directed by | Carlo Lizzani |
Screenplay by | |
Story by |
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Produced by | Dino De Laurentiis[1] |
Starring | |
Cinematography | Pasqualino De Santis[1] |
Edited by | Franco Fraticelli[1] |
Music by | |
Production companies |
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Distributed by | Metro-Goldwyn-Mayer |
Release dates |
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Running time | 105 minutes[1] |
Countries |
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Languages | Italian French |
Budget | $810,000[2] |
Box office | ₤858.820 million[1] |
Black Turin (Italian: Torino nera) is a 1972 crime film directed by Carlo Lizzani.[3] The film received mixed reviews, but was commercially successful.[4]
Black Turin was released in Italy as Torino nera on 25 September 1972 where it was distributed by MGM.[1] The film grossed a total of 858,820,000 Italian lire domestically.[1] It was released in Paris on 28 November 1973 under the title La vengeance du sicilien.[1]