In today's article, we want to address the topic of Birthe Wilke, a topic that has caused a great impact on today's society. Birthe Wilke is an issue that affects people of all ages, genders and cultures, so it is important to analyze it from different perspectives. Throughout this article, we will explore the origins of Birthe Wilke, its evolution over time, and its influence on various aspects of everyday life. Additionally, we will examine possible solutions or approaches to address this issue effectively. We hope that this article generates reflection and debate among our readers, as well as provides valuable information about Birthe Wilke.
![]() | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (March 2013) |
Birthe Wilke | |
---|---|
![]() Gustav Winckler (left) & Birthe Wilke (right) | |
Background information | |
Born | Copenhagen, Denmark | 19 March 1936
Origin | Denmark |
Occupation | Danish Singer |
Partner | Gustav Winckler |
Birthe Wilke (born 19 March 1936) is a Danish singer. She grew up in a musical family in Copenhagen's Vesterbro area.
When Wilke was in her teens, she won a talent competition at the National Scala Theatre in Copenhagen, sang as soloist with Bruno Henriksen's Orchestra at Tivoli Gardens in Copenhagen, made her first recording, and was named "Denmark's Doris Day" and recorded "Que sera sera" in 1956.
After qualifying in the Dansk Melodi Grand Prix to represent Denmark at the Eurovision Song Contest, she participated in the Eurovision Song Contest 1957, where she sang "Skibet Skal Sejle I Nat" ("The Ship Is Leaving Tonight") with Gustav Winckler.[1] They ranked 3rd of out 10 at the end of the voting, and stunned television audiences with an 11-second long kiss at the end of their performance.
She also participated in the Eurovision Song Contest 1959 where she sang solo "Uh-Jeg Ville Ønske Jeg Var Dig" ("Oh – I wish I were you").[2] She was ranked 5th place at the end of voting.
In the late 1950s she toured Poland, West Germany and United States.
In 1961 she played a nightclub singer in the Danish film Reptilicus. She sang "Tivoli Nights".
In the same year, she won the award for best singer at the first international song festival in the Gdansk shipyard hall, the forerunner of the Sopot festival and Intervision Song Contest.[3]
In 1966 she retired from public life, but made a short-lived return in 1973.
In addition to her recording successes, she participated in radio, television, advertising and commercial film.