In today's world, Billy Goat (band) is a topic that has caught the attention of millions of people around the world. Its relevance and impact ranges from personal to global aspects, and its impact is felt in all areas of daily life. As time progresses, Billy Goat (band) continues to challenge the boundaries of knowledge and generate debate in society. In this context, it is imperative to fully explore this topic, understand its implications and reflect on its influence on our lives. In this article, we will delve into the fascinating world of Billy Goat (band), analyzing its many facets and discovering how it can affect our perceptions and actions.
Billy Goat | |
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![]() Billy Goat, 1992. L-R: Mike Dillon, Kim Pruitt, Earl Harvin, Phil Major, Brandon Smith and Kenny Withrow. | |
Background information | |
Origin | Denton, Texas |
Years active | 1989 | –1997
Labels | Third Rail Records, Mercy Records |
Billy Goat was a band playing rock, funk and Latin styles from 1989 to 1997 that frontman Mike Dillon later described as "a funk-punk band in the vein of the Red Hot Chili Peppers".[1] Originating in Denton, Texas, Billy Goat was popular in the Dallas and Austin scenes[2] including Deep Ellum and became known for its wild stage antics. One published reason for disbanding was turmoil caused from a tour van crash. Putting music ahead of antics, the band reformed with a new line-up in Kansas City prior to the 1995 release, Black and White.[3] The more recent project of Dillon, Go-Go Jungle, has ties to Billy Goat's second incarnation including band members Go-Go Ray and J.J. Richards.[4]