Nowadays, Bernadette (Four Tops song) has become a topic of great interest and relevance in society. Over time, Bernadette (Four Tops song) has played a crucial role in different aspects of daily life, affecting people of all ages and lifestyles. As Bernadette (Four Tops song) continues to evolve and acquire different dimensions, it is important to thoroughly analyze its impact in various areas, from health to the economy. In this article, we will take a closer look at the many facets of Bernadette (Four Tops song) and its influence on everyday life, as well as the future perspectives it may bring.
"Bernadette" | ||||
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Single by Four Tops | ||||
from the album Reach Out | ||||
B-side | "Something About You" or "I Got a Feeling" | |||
Released | February 16, 1967 | |||
Recorded | Hitsville U.S.A. (Studio A); January 25, 1967 | |||
Genre | Soul, pop | |||
Length | 3:00 | |||
Label | Motown | |||
Songwriter(s) | Holland–Dozier–Holland | |||
Producer(s) | Brian Holland Lamont Dozier | |||
Four Tops singles chronology | ||||
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"Bernadette" is a 1967 hit song recorded by the Four Tops for the Motown label. The song was written and composed by Holland–Dozier–Holland, Motown's main songwriting team, and produced by Brian Holland and Lamont Dozier.
Billboard described the song as a "hard-driving rocker" with an "outstanding performance by the group."[1] Cash Box called the single a "pulsating Detroit lid underscored by that steady, danceable rhythm."[2] The song reached #4 on the Billboard Hot 100, #8 on the Cash Box Top 100. [3] On the R&B chart, "Bernadette" went to #3..[4] It also reached #8 in the UK and was a hit again in 1972, reaching #23.[5]
The song is notable for its false ending, where the instruments drop out and the background singers hold a chord. Lead singer Levi Stubbs then shouts "Bernadette!" and the song resumes, ending in a fade-out. Critic Maury Dean described the effectiveness of Stubb's shout of "Bernadette!" as being the key ingredient in getting listeners to buy the record, even if Bernadette herself may not have heard him.[6]
AllMusic critic John Bush calls it "dramatic" and "impassioned."[7]