In today's world, Bali (1970 film) has become a topic of increasing interest to many people. With the advancement of technology and globalization, Bali (1970 film) has become relevant in various areas of society, from politics to science. Throughout history, Bali (1970 film) has been the subject of debate and analysis, generating conflicting opinions and provoking endless research and studies. In this article, we will explore the different facets of Bali (1970 film), analyzing its impact on various spheres of daily life and its relevance in today's world. From its origins to its influence on the present, we will try to address Bali (1970 film) in a comprehensive manner, seeking to understand its importance and the implications it has on today's society.
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Directed by | Ugo Liberatore |
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Edited by | Giancarlo Cappelli[1] |
Music by | Giorgio Gaslini[1] |
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Distributed by | C.I.D.I.F.[1] |
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Bali is a 1970 Italian romance film directed by Ugo Liberatore and Paolo Heusch.[3]
Bali was distributed by C.I.D.I.F. on 29 December 1970 in Italy.[2][1] Originally directed by Ugo Liberatore and released as Incontro d'amore a Bali, it was a box office bomb.[4] In 1975, following a series of commercial successes of Laura Antonelli, whose in the meanwhile had established herself as one of the most popular Italian sex symbols, the producer Alfredo Bini released a new version of the film, with a new editing and with the introduction of new scenes shot by Paolo Heusch with actors Ettore Manni and Ilona Staller.[4] Released as Incontro d'amore, the film eventually got a large success at the Italian box office, grossing about 1 billion and a half lire.[4]