Today, we want to talk about Audio-Visualscapes. This is a topic that has gained great relevance in recent times, and it is important to study it in depth to understand its impact on our society. Throughout this article, we will explore different aspects of Audio-Visualscapes, from its origin and evolution to its influence in various areas. In addition, we will analyze the different perspectives that exist on Audio-Visualscapes, in order to offer a comprehensive and objective vision. Without a doubt, Audio-Visualscapes is a topic that invites us to reflect and debate, and we are sure that this article will be enriching for our readers.
Audio-Visualscapes | ||||
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Studio album by | ||||
Released | 1988 | |||
Recorded | February 1–3, 1988 | |||
Genre | Jazz | |||
Length | 74:05 | |||
Label | MCA/Impulse! | |||
Producer | Jack DeJohnette | |||
Jack DeJohnette chronology | ||||
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Audio-Visualscapes is an album by Jack DeJohnette's Special Edition, featuring Greg Osby, Gary Thomas, Mick Goodrick, and Lonnie Plaxico, recorded in 1988 and released on the MCA/Impulse! label.[1][2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The New York Times called the album "raw and tumultuous, hardly the work of someone settling into an easy middle age of refinement."[4] The Boston Globe and The San Diego Union-Tribune considered it one of the best jazz albums of 1988.[5][6]
The AllMusic review by Scott Yanow states: "This single-CD (formerly a double-LP) from Jack DeJohnette's Special Edition contains music that mixes together advanced hard bop, fusion, M-Base funk and avant-garde jazz... The results are sometimes unsettling but rarely dull, well worth several listens."[3]