Aryballos

Have you ever wondered about Aryballos? This is a topic that has captured the attention of many people over time, and for good reason. From its origins to its impact on today's society, Aryballos has been the subject of debate, analysis and exploration in a wide range of contexts. In this article, we will explore the fascinating history of Aryballos, examine its implications in the modern world, and consider its continued relevance in the future. No matter if you are an expert on Aryballos or simply looking to learn more about it, this article will provide you with a comprehensive and insightful look at this exciting topic.

Aryballos in the form of three cockle shells, 6th century BC (Metropolitan Museum of Art)

An aryballos (Greek: ἀρύβαλλος; plural aryballoi) was a small spherical or globular flask with a narrow neck used in Ancient Greece.[1][2] It was used to contain perfume or oil, and is often depicted in vase paintings being used by athletes during bathing. In these depictions, the vessel is at times attached by a strap to the athlete's wrist or hung by a strap from a peg on the wall.

The shape of the aryballos originally came from the oinochoe of the Geometric period of the 9th century BCE, a globe-shaped wine jar. By the Proto-Corinthian period of the following century, it had attained its definitive shape, going from spherical to ovoid to conical, and finally back to spherical. This definitive form has a wide, flat mouth, and a single small handle. Some later variations have bell-shaped mouths, a second handle, and/or a flat base. Potters also created inventive shapes for aryballoi.

The Austrian commission of the Corpus Vasorum Antiquorum is investigating the material properties of these vessels using computed tomography and optical 3D acquisition techniques.[3]

See also

References

  1. ^ "aryballos" in The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 611.
  2. ^ Shanks, Michael (1999). Art and the Greek City State. United Kingdom: Cambridge University Press. pp. 50–52. ISBN 0-521-56117-5.
  3. ^ Stephan Karl, Paul Bayer, Hubert Mara and András Márton (2019), "Advanced Documentation Methods in Studying Corinthian Black-figure Vase Painting" (PDF), Proceedings of the 23rd International Conference on Cultural Heritage and New Technologies (CHNT23), Vienna, Austria, ISBN 978-3-200-06576-5, retrieved 2020-01-09{{citation}}: CS1 maint: multiple names: authors list (link)
  4. ^ From the workshop of the Douris Painter. On the back two kalós love-inscriptions declare that Thodis and Chairippos are handsome. Exhibited in Room 8 of the Kerameikos Archaeological Museum (Athens).

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