Art Frahm

In the article presented here, we are going to delve into Art Frahm, a topic that has captured the attention of many people in recent years. Art Frahm is a topic of great relevance and that impacts different aspects of daily life. Throughout our analysis, we will explore the different aspects related to Art Frahm, from its origin and evolution, to its impact on current society. Additionally, we will try to understand how Art Frahm has changed over time and what implications it has for the present. We hope that this article will be of great interest to all those who wish to expand their knowledge about Art Frahm and understand its importance in today's world.

Art Frahm
Frahm painting c. 1950s
Born
Arthur Ernest Frahm

(1906-05-27)May 27, 1906
DiedFebruary 12, 1981(1981-02-12) (aged 74)
Years active1920–1980s
Known for
  • Pin-up art
  • commercial art

Arthur Ernest Frahm (May 5, 1906 – February 12, 1981)[1] was an American painter and commercial artist, best known for his campy paintings of pin-up girls in the 1950s.[2] Frahm's playful Americana style has been compared with that of Norman Rockwell.[3]

Biography

Frahm was born in East Chicago, Indiana, in 1906.[1] As a child, he was an avid drawer, and later took weekend classes at the Art Institute of Chicago.[1][4] He subsequently joined the Chicago firm Ziprodt, designing window displays for merchants, before resigning to become a full time illustrator.[4] For the rest of his career, Frahm ran his own studio as a freelancer. Beginning in the 1920s, he illustrated advertisements for a wide variety of companies, including Coca-Cola, Schlitz, Quaker Oats, and Libby's.[4] Frahm continued to paint during his service in the U.S. Army during World War II.[3]

Frahm's commercial peak was in the 1950s. Each installment of his "ladies in distress" pin-up series featured a woman whose underwear had fallen to her ankles in an everyday situation—such as carrying groceries, bowling, or changing a tire—much to the delight of male onlookers.[5][6] Frahm's publisher, Joseph C. Hoover and Sons, sold millions of calendars with the campy artwork, making it one of the most successful pinup series of the twentieth century.[2]

In the 1960s, Frahm created two popular calendar series: one following a band of fun-loving hobos traveling from Miami to San Francisco,[3] and another depicting policemen teaching safety measures to children.[2] Later in his career, while continuing to do commercial work, Frahm's tastes shifted to portraits and landscapes.[4]

Frahm moved his family to North Carolina in 1954 before setting in Fountain Inn, South Carolina,[3] where he died on February 12, 1981, aged 74. He was survived by his wife Ruth and daughter Diana.[1]

See also

References

  1. ^ a b c d "Well-Known Artist, Frahm, Dies at 74". The Greenville News. February 14, 1981. p. 6C.
  2. ^ a b c Martignette, Charles G.; Meisel, Louis K. (1996). The Great American Pin-Up. Cologne, Germany: Taschen. pp. 45, 234. ISBN 3-8228-1701-5.
  3. ^ a b c d Keeler, Scott (March 29, 2016). "Fountain Inn show will display Americana artist Art Frahm's work". The Greenville News. Retrieved September 18, 2018.
  4. ^ a b c d Hays, Tommy (October 5, 1980). "From His Palate Came Advertising's 'Sweet Portraits'". The State Magazine. p. 11.
  5. ^ Buszek, Maria Elena (2006). Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, North Carolina: Duke University Press. p. 236. ISBN 0-8223-3746-0.
  6. ^ Turner, Paul (May 25, 2006). "Maybe "Hooterville Is the Place to Be". The Spokesman-Review. p. D1. ...Frahm's specialty was depictions of attractive women whose underpants had unexpectedly fallen down to their ankles in public settings...there were always a few male onlookers delighted...