In this article we are going to explore Annik Shefrazian, a topic that has captured the attention of many people in recent times. In order to better understand what Annik Shefrazian is, we will be looking at its impact in different contexts and how it has evolved over time. Additionally, we will examine different perspectives and opinions on Annik Shefrazian, with the aim of offering a comprehensive view on this topic. Throughout this article, we hope to provide relevant information and reflections that will help readers expand their understanding of Annik Shefrazian.
Annik Shefrazian | |
|---|---|
| Born | 1909 or 1910 |
| Died | 28 December 1996 |
| Nationality | Iranian Armenian |
| Occupation(s) | Film and television actress |
Annik Shefrazian (Armenian: Աննիկ Շաֆրազեան; Persian: آنیک شفرازیان), known mononymously as Annik (Armenian: Աննիկ; Persian: آنیک) was an Iranian Armenian actress of film and television.
Born in 1909 or 1910 in New Julfa, Isfahan. She followed the advice of her sister-in-law, a stage artist, to join theater groups and played bit parts with them touring Abadan, before landing her debut in Samuel Khachikian's The Stroke in 1964, she moved to Tehran and made acquaintance with Khachikian and Arman, and found her way into Armenian show groups. In 1968 Khachikian referred to her another role in The White Hell, which later led to winning character parts in veteran directors' films. Her films include The Coachman (Nosrat Karimi, 1971), Prince Ehtejab (Bahman Farmanara, 1974), The Chess of the Wind (Mohammadreza Asalni, 1977), The Crow (Bahram Bayzai, 1978) and Hamoun (Dariush Mehrjui, 1990). She won the Crystal Symorgh at Best Supporting Actress for her role in The Land of Dreams (Majid Qarizade) in 1988. She died at a nursing home in Kahrizak, Tehran in 1996.[1][2][3][4]