Andromache Mourning Hector
This article will address the topic of Andromache Mourning Hector, which has gained great relevance in recent years due to its impact on different aspects of society. Since its emergence, Andromache Mourning Hector has generated debates, controversies and has been the subject of study and research in various areas. Over time, Andromache Mourning Hector has evolved and adapted to the needs of the environment, becoming a topic of interest to a wide spectrum of people. In this sense, it is relevant to explore the multiple facets and perspectives that Andromache Mourning Hector offers, as well as its implications at a social, cultural, economic and political level.
| Andromache Mourning Hector | |
|---|---|
| French: La Douleur et les Regrets d'Andromaque sur le corps d'Hector son mari | |
 | |
| Artist | Jacques-Louis David |
| Year | 1783 |
| Medium | Oil on canvas |
| Dimensions | 275 cm × 203 cm (108 in × 80 in) |
| Location | Musée du Louvre, Paris |
Andromache Mourning Hector is a 1783 oil-on-canvas painting by the French Neoclassical artist Jacques-Louis David. The painting depicts an image from Homer's Iliad, showing Andromache, comforted by her son, Astyanax, mourning over her husband Hector, who has been killed by Achilles.[1] This painting, presented on 23 August 1783, brought David election to the Académie Royale in 1784.[2]
See also
References
- ^ "Jacques-Louis David:Andromache Mourning HectorJacques-Louis David: Andromache Mourning Hector". Boston College. Archived from the original on 2014-10-02. Retrieved 2014-07-11.
- ^ "Jacques-Louis David Biography". bio. Retrieved 2014-07-11.
