In this article we are going to delve into the fascinating world of Andrea Carlone, exploring its various facets and meanings. Andrea Carlone is a topic that has captured the attention of people around the world, generating extensive debate and analysis. From its origin to its evolution over the years, Andrea Carlone has been the subject of study in different fields, awakening curiosity and interest in experts and amateurs alike. Through this exploration, we hope to shed light on the multiple dimensions of Andrea Carlone and offer an in-depth analysis that enriches the understanding of this phenomenon.
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Andrea Carlone (16 May 1626 – 4 April 1697) was an Italian painter of the Baroque period, active mainly in his natal city of Genoa.
He was the son of the painter Giovanni Battista Carlone and Niccoletta Scorza. He traveled and painted extensively through Italy. After initial work with his father, he traveled to Venice for a few years. His first works were pictures at the church of the Gesù at Perugia, and the Life of St. Felician in the church of that saint at Foligno. He went afterwards to Rome to the studio of Carlo Maratta. He married in Rome, with the sister of Perruchi, the personal secretary (Maggiordomo) for Marchese Costaguti. His brother Niccolò was also a painter.
Genovesi Raffaello Soprani.