In this article, we will explore the fascinating world of An Inn at Osaka. From its origins to its evolution today, this topic has been the subject of constant interest by researchers, academics and enthusiasts. An Inn at Osaka has impacted various areas of society in multiple ways, from politics and economics to popular culture and entertainment. Along these lines, we will delve into the different aspects that make An Inn at Osaka such a relevant topic today and its role in shaping the contemporary world.
An Inn at Osaka | |
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Directed by | Heinosuke Gosho |
Written by |
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Produced by |
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Starring | |
Cinematography | Jōji Ohara |
Edited by | Shin Nagata |
Music by | Yasushi Akutagawa |
Distributed by | Shintoho |
Release date | |
Running time | 122 minutes |
Country | Japan |
Language | Japanese |
An Inn at Osaka (大阪の宿, Ōsaka no yado) is a 1954 Japanese drama and shōshimin-eiga film directed by Heinosuke Gosho. It is based on the novel of the same name by Takitarō Minakami and was produced by Gosho's own production company Studio Eight. Film historians regard An Inn at Osaka as one of Gosho's major, but also darker works.[3][4][5]
After his reassignment to Osaka due to an argument with his superior, Tokyo businessman Mita is residing in a cheap inn as his salary won't allow for better accommodation. Though rather a reclusive person, he tries to help the housemaidens with their monetary problems (including a solitary mother and the wife of an unemployed worker), while geisha Uwabami tries to awaken his interest, but to no avail. In the end, Mita, who is critical of his new superior's reckless business practices which result in a business partner's suicide, is transferred again. During the goodbye ceremony, Mita reminds the participants, who have all missed their intended goals in one way or another, to "have the dignity to laugh in the face of unhappiness".