Alphonse Varney

In today's world, Alphonse Varney has gained unprecedented relevance. Whether on a personal, professional or social level, Alphonse Varney has become a topic of constant interest and debate. Its impact ranges from the way we relate to others to the way we carry out our daily activities. In this article, we will explore in depth the importance of Alphonse Varney and how its influence has brought about significant changes in various aspects of our lives. From its origins to its future projection, Alphonse Varney will continue to be a topic of study and reflection that deserves our full attention.

Alphonse Varney (French: [vaʁnɛ]; 1 December 1811 – 7 February 1879) was a French conductor, mainly of opera. His son was the composer Louis Varney who studied music with his father.

Education

He studied at the Paris Conservatoire including counterpoint with Reicha.

Career

Varney conducted the Théâtre de Ghent in 1835, followed by the Théâtre Historique, the Théâtre Lyrique (which he left in 1852 to spend more time composing, and conducting in Ghent), the Théâtre des Bouffes Parisiens from 1857 (from 1862 to 1864 he was also director and staged works by Offenbach),[1] the Grand Théâtre de Bordeaux from 1865 to 1878, and the Société Sainte-Cecile in Bordeaux.[2] He was also invited to conduct the 'French Opera Season' in New Orleans in 1844.

Compositions

Varney composed the well-known Chant des Girondins, written for the play Le Chevalier de Maison-Rouge by Alexandre Dumas.[3] He also composed the music for a drame-lyrique by Alexandre Dumas, fils in 1848 entitled Atala. His opéra comique La ferme de Kilmoor (first performance 27 October 1852 at the Théâtre-Lyrique) was savaged by the critics.[4] Other stage works by Varney include Le moulin joli (1849), L'opéra au camp (1854), La polka des sabots (1859) and Un leçon d'amour (1868).

He retired in 1878.

References

  1. ^ Die Musik Geschichte & Gegenwart. Barenreiter, Kassel, Basel, 1995.
  2. ^ Cinquante Ans de Musique Française de 1874 à 1925. Les Éditions Musicales de la Librairie de France, Paris, 1925.
  3. ^ The Marseillaise of the 1848 revolution. Walsh TJ. Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870. John Calder Ltd, London, 1981.
  4. ^ Walsh TJ, op cit.