This article will address the topic of Allez Oop, which has become increasingly relevant in today's society. From different perspectives and contexts, Allez Oop has become a point of interest for leaders, researchers, academics and the general public. Throughout history, Allez Oop has been the subject of discussion and debate, fueling conversations and questions that have led to significant advances in various areas. In this sense, it is essential to delve deeper into the analysis of Allez Oop, considering its current impact and the possible future implications that it allows us to glimpse. Thus, this article will seek to offer a comprehensive and updated vision of Allez Oop, with the purpose of promoting greater understanding and reflection on this topic that is so relevant in contemporary society.
Allez Oop | |
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![]() Film poster | |
Directed by | Buster Keaton Charles Lamont |
Written by | Ewart Adamson Ernest Pagano |
Produced by | E. H. Allen E. W. Hammons |
Starring | Buster Keaton |
Cinematography | Dwight Warren |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 21 minutes |
Country | United States |
Language | English |
Allez Oop is a 1934 American short comedy film starring Buster Keaton.[1] It was the second film Keaton made for Educational Pictures.[2]
Elmer (Buster Keaton) works at a clock repair shop and falls for a woman named Paula (Dorothy Sebastian), a customer who brings in her watch to be fixed. Eventually, Elmer invites Paula to go to the circus with him, where she soon becomes enamored with the lead trapeze artist (George J. Lewis). In an effort to win her heart, Elmer attempts to become an expert in acrobatics as well by practicing in his backyard with a swing and mattress, but with very little success. In the end, though, he is able to show his true mettle, performing amazing athletic feats in order to save Paula from a deadly fire.[2]