In this article, we will explore the impact of Absolute Quiet on various aspects of contemporary society. From its influence on popular culture to its relevance in academia, Absolute Quiet has generated extensive debate and controversy that deserves to be analyzed in detail. Throughout these pages, we will analyze the different perspectives that exist around Absolute Quiet and how it has shaped the current landscape. Likewise, we will examine its historical role and its projection into the future, in order to understand its true scope and meaning in our daily lives.
Absolute Quiet | |
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Directed by | George B. Seitz |
Screenplay by | Harry Clork |
Story by | George F. Worts |
Produced by | John W. Considine Jr. |
Starring | Lionel Atwill Irene Hervey Raymond Walburn Stuart Erwin Ann Loring Louis Hayward |
Cinematography | Lester White |
Edited by | Conrad A. Nervig |
Music by | Franz Waxman |
Production company | |
Distributed by | Loew's Inc.[1] |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | English |
Absolute Quiet is a 1936 American drama film directed by George B. Seitz and written by Harry Clork. The film stars Lionel Atwill, Irene Hervey, Raymond Walburn, Stuart Erwin, Ann Loring and Louis Hayward. A Metro-Goldwyn-Mayer picture, it was released on April 24, 1936, and distributed by Loew's Inc.[1]
Businessman Gerald Axton goes to his ranch to rest, having had a near-heart-attack due to business worries. But while there (with his female assistant who makes his heart flutter as much as his business worries), a pair of escaped criminals crashes the party, as well as a plane load of passengers who literally crash in. Coincidentally, the plane was carrying the state's governor, whom Axton was at odds with, Axton's ex-paramour and her lover, whom Axton was sending away under false pretenses, and a reporter willing to write up all the sordid details. - Ron Kerrigan[2]