In today's world, A New Play has become a topic of interest to both experts and the general public. With its impact on different aspects of society, A New Play has captured the attention of the global community and generated widespread debate about its implications. From its emergence to its evolution over time, A New Play has left an indelible mark on history and has caused a series of significant changes in various areas. In this article, we will take a closer look at the impact of A New Play and explore its many facets to better understand its importance today.
A New Play | |
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Directed by | Juan de Orduña |
Written by | Juan de Orduña |
Based on | A New Play by Manuel Tamayo y Baus |
Starring | Irasema Dilián Roberto Font Jesús Tordesillas |
Cinematography | Willy Goldberger |
Edited by | Mariano Pombo |
Music by | Juan Quintero |
Production companies | Juan de Orduña, P.C. |
Distributed by | CEA Distribución |
Release date |
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Running time | 92 minutes |
Country | Spain |
Language | Spanish |
A New Play (Spanish: Un drama nuevo) is a 1946 historical drama film directed by Juan de Orduña and starring Irasema Dilián, Roberto Font and Jesús Tordesillas.[1] It was shot at the CEA Studios in Madrid. The film's sets were designed by the art director Sigfrido Burmann.[2] It is based on the 1867 play of the same title by Manuel Tamayo y Baus.
In Jacobean London, William Shakespeare's company stage a new tragedy. Shakespeare allows the fool Yorick to play the lead, before realising that the new play's theme of jealousy of a spouse closely resembles that of Yorick and his wife Alicia.