The importance of 1983 Cannes Film Festival has been the subject of debate for decades. Whether it is personal, professional or academic, 1983 Cannes Film Festival plays a crucial role in our daily lives. From its origins to its evolution today, 1983 Cannes Film Festival has been the subject of study and research by experts in different fields. In this article, we will explore the various aspects of 1983 Cannes Film Festival, from its impact on society to its relevance in history. Furthermore, we will analyze how 1983 Cannes Film Festival has influenced and shaped different aspects of our lives, providing a deeper insight into its importance in the modern world.
![]() Official poster of the 36th Cannes Film Festival, adapted from an original drawing by Akira Kurosawa.[1] | |
Opening film | The King of Comedy |
---|---|
Closing film | WarGames |
Location | Cannes, France |
Founded | 1946 |
Awards | Palme d'Or: The Ballad of Narayama[2] |
No. of films | 22 (In Competition)[3] |
Festival date | 7 May 1983 | – 19 May 1983
Website | festival-cannes |
The 36th Cannes Film Festival took place from 7 to 19 May 1983. American author William Styron served as jury president for the main competition.
Japanese filmmaker Shōhei Imamura won the Palme d'Or, the festival's top prize, for the drama film The Ballad of Narayama.[4][5]
In 1983, the festival's new main building, the Palais des Festivals et des Congrès, was inaugurated.[6] Initially many described it as "a hideous concrete blockhouse", nicknaming it The Bunker.[7]
The festival opened with The King of Comedy by Martin Scorsese,[8][9] and closed with WarGames by John Badham.[10][11]
The following feature films competed for the Palme d'Or:[3]
The following films were selected for the Un Certain Regard section:[3]
English Title | Original Title | Director(s) | Production Country |
---|---|---|---|
Bella Donna | Peter Keglevic | West Germany | |
Caballo salvaje | Joaquín Cortés | Venezuela | |
Can She Bake a Cherry Pie? | Henry Jaglom | United States | |
The Eighties | Les Années 80 | Chantal Akerman | Belgium, France |
The Haircut | Tamar Simon Hoffs | United States | |
The Herdsman | 牧马人 | Xie Jin | China |
Humanonon | Michel François | France | |
La matiouette ou l'arrière-pays | André Téchiné | ||
Nešto između | Srđan Karanović | Yugoslavia | |
News Items | Faits divers | Raymond Depardon | France |
The Pool Hustlers | Io, Chiara e lo scuro | Maurizio Ponzi | Italy |
Poverty Certificate | Le certificat d'indigence | Moussa Bathily | Senegal |
The Shimmering Beast | La bête lumineuse | Pierre Perrault | Canada |
Twenty Years of African Cinema | Caméra d'Afrique | Férid Boughedir | Tunisia |
Ulysse | Agnès Varda | France | |
Zappa | Bille August | Denmark |
The following films were selected to be screened out of competition:[3]
English Title | Original Title | Director(s) | Production Country |
---|---|---|---|
Angelo My Love | Robert Duvall | United States | |
Boat People | 投奔怒海 | Ann Hui | Hong Kong, China |
Équateur | Serge Gainsbourg | France, West Germany, Gabon | |
Holtpont | Ferenc Rofusz | Hungary | |
The Hunger | Tony Scott | United Kingdom, United States | |
The Man in the Silk Hat | L'homme au chapeau de soie | Maud Linder | France |
Modori River | もどり川 | Tatsumi Kumashiro | Japan |
Streamers | Robert Altman | United States | |
Utu | Geoff Murphy | New Zealand | |
Walking, Walking | Cammina, cammina | Ermanno Olmi | Italy |
WarGames (closing film) | John Badham | United States | |
The Wicked Lady | Michael Winner | United Kingdom, United States |
The following short films competed for the Short Film Palme d'Or:[3]
The following feature films were screened for the 22nd International Critics' Week (22e Semaine de la Critique):[13]
The following films were screened for the 1983 Directors' Fortnight (Quinzaine des Réalizateurs):[14]